Roof Story
It may be as well to add here that the...


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It may be as well to add here that the prevailing opinion of archæologists now refers the arch to the reign of Marcus Aurelius, and that the name Marius has no reference to the conqueror of the Cimbri, as has been generally supposed. The supposition was brought about by the name Mario inscribed on a shield, among the many facsimiles adorning the trophy. But it is clearly the name of the vanquished, not the victor, found here, and Mario, part of Marion, may well have been the name of a Gaulish prisoner.

As all spoliations throughout France indiscriminately are imputed to the Revolution, it may be as well to remind the reader that it was Maurice, Prince of Nassau, who did his very utmost to demolish the noble Roman theatre of Orange.

By the Treaty of Ryswick, signed 1697, the family of Nassau were confirmed in the possession of Orange, and the prince referred to in Addison's letter was our William the Third. The spoliator of the Roman theatre was his ancestor, the tyrannical and justly-hated Maurice. This fact is to be noted.

The thunderstorm cooled the air, and the next day we had unclouded skies and burning sunshine, tempered with a brisk wind, for our expedition to Vaucluse. The wind blows ever at Avignon, no matter what the weather may be, and renders the tropic heat of summer tolerable. All the way we caught sight of beautiful faces, these peasant-girls and children having faultless features, a rich complexion, dark hair and eyes, and a dignified carriage. They go bare-headed in the broiling sun, and seem to revel in the heat. Passing suburban villas, close- shuttered, vine-trellised, handsome châteaux, each approached by stately avenues of plane or mulberry, cypress groves and vineyards, we are soon in the heart of the country.

Little farmhouses are seen on either side, their ochre-coloured walls gleaming against the deep-blue sky--fig-trees in every garden, with peach-orchards beyond, showing the brilliant fruit. It is a bit of the East, only the blue-bloused peasant and the bare-headed, dignified country girls, wishing us 'Bonjour' as they pass, remind us that we are on French soil. There is no evidence here either of wealth or poverty; but the fruits of the earth, so laboriously cultivated, are equally shared by all. Everywhere we find cheerfulness, independence, and thrift.

Pilgrims to Vaucluse must be prepared to pay dear for the privilege. Once--and once only during this journey-were we thoroughly overcharged, and it was at the little inn here.

I have not kept the bill, but was it not worth any money to taste trout fished from Petrarch's stream, eggs whose ancestors had crowed in Petrarch's hearing, salad grown within perhaps a stone's-throw of Petrarch's garden? Thus doubtless our hostess reasoned, and in all probability she was right. What devotee would be deterred from visiting such a shrine by the prospect of a long bill?

Many, however, will be deterred by another reason. I allude to the burning noonday sun, that makes this close-shut valley, as it is complimentarily called, a veritable furnace. It is in reality a deep winding cleft between lofty, yellow rocks, by virtue of position and formation a naturally formed sun-trap, not a ray being lost. Words can give no idea of the scorching, blinding heat this August afternoon. Yet a little girl who acts as our guide confronts the sun bareheaded, and as we go we find dozens of relic-vendors equally unprotected. No one seems to require a hat or umbrella. This child had the face of a miniature Madonna, and others we met on the way equally beautiful and well-formed. Strange thus to escape for a time altogether from the region of human ugliness, to be as completely isolated from ill- favoured looks and uncomely gait as if we were in a sculpture-gallery of Florence! These country-bred girls and children have not only statuesque features, but the stateliest carriage, holding themselves with the air of Nature's princesses.

I stopped when half-way through the burning, blinding cul-de-sac, and took refuge under the shadow cast by a bit of wall and a fig-tree. If the deluging showers of yesterday had failed to damp my enthusiasm, the meridian heat of Vaucluse shrivelled it up. My companion, with her angelic-faced little cicerone, perseveringly went on.

This rock-shut valley, watered by the Sorgues, a tiny thread of water and verdure amid towering walls of bare, sun-baked rock, has lost much of its poetry and romance. The stream flows clear as in the poet's time, but the solitude he loved so well is invaded. Of his garden not a trace remains. The perpetually whirring wheels of a water-mill, the clatter of washerwomen beating clothes on the bank, now drown the murmur of the waves, whilst at every turn the traveller is beset by vendors of immortelles and photographs. Truth to tell, an element of vulgarity has found its way to this once ideal spot! But it requires no very vivid imagination to transport ourselves to the Eden described so musically in Petrarch's letters; and close at the doors of the hermitage he has rendered immortal lies scenery that might well recall his native Italy. All this is vividly portrayed in the pages of Arthur Young, who was more fascinated by the scenery of Vaucluse than either myself or my companion.

 

 

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